The Casual Blog

Tag: Brahms

Some photography, a piano lesson, and the pain of golf

The weather here is getting hotter, but the last few days have been pleasantly mild.  I’ve been getting out early with my camera most mornings to see what’s going on in our local parks and gardens.   In the last few days I’ve been to Shelley Lake, Durant Park, Lake Johnson, Lake Wheeler, and Yates Mill Pond, as well as Raulston Arboretum and Duke Gardens. I didn’t see any uncommon animal or plant life, but I thought some of the dying flowers looked pretty.  As is my usual procedure, I’m sharing here photos I made this week that were my favorites for the week.

I had my first post-retirement piano lesson with Professor Olga Kleiankina at her studio at NC State on Sunday.  I’ve been working on Brahms’s Rhapsody Op. 79, No. 2, with its thundering intensity and exotic lyricism. Olga coached me on touch and sound production, including more use of the back muscles, but she also diagnosed a fundamental problem: I was hearing things as I imagined them rather than as they were.  She thought I had failed to completely and fully listen. She noted that this is sometimes true of professional musicians, and further observed that if ever I learned to truly listen, I would no longer need a teacher.

As I told her, the idea of full on listening reminded me of a central aspiration of mindfulness — being fully present and attentive — which is also difficult to achieve.  Anyhow, I found helpful her ideas around listening and practicing slowly and carefully. She suggested that rather than a two hour lesson once a month, we meet for an hour every other week.  I was grateful that she doesn’t think it’s hopeless to try to help me, and am looking forward to climbing up to the next level.

I also took a golf lesson with Mike Sullivan at 401 Par Golf.  I hadn’t seen Mike since last fall, and in the meantime had developed a fairly bad case of the yips in trying delicate shots close to the green.  Mike is a very upbeat guy and knows a lot about golf.  He had some good ideas for chipping, and I’m hoping to see improvement now that I have a more time to practice.

My feelings about golf are certainly mixed. It is, of course, associated with privilege and elitism, and so sits uncomfortably with my concerns for fairness and social justice.  It is far from eco-friendly. It is generally expensive. It’s frustrating. And it sounds like a sad cliche for a guy to be retiring to play golf.

But, that said, there are things about the game that are worth defending.  Like every sport, it has its moments of drama and humor. Unlike most sports, it has as an essential component the values of honesty and integrity.  It can help build friendships and cooperation. It is beautiful, both in its landscapes and kinetic arcs.

And at every level of play, it demands of the player a mix of intellectual, physical, and moral qualities.   It poses challenges that potentially make us better. It’s unfortunate for the game that the current American President is such a golf lover and super-sized example of dishonesty, immorality, and stupidity, but let’s just consider him the exception that proves the rule. 

Gabe and I have been getting out for a game most weekends, and it’s been inspiring to see him dramatically improve his game.  With some putting improvements, he may soon be breaking 80.  For me it will be a longer, tougher journey, but still, I look forward to it.

Canoes at Umstead Park

 

A new Firebird, and a great egret

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Whew! We finally made it to the start of the new Carolina Ballet season. After a long summer without any dance, I was particularly looking forward to the CB’s first program, with The Firebird as the featured work. And I was particularly excited to see Alyssa Pilger make her debut in the role of Firebird.

Full disclosure: based on a donation to the company, we were invited to be the pointe shoe sponsor of a dancer, and we picked Alyssa. She was then in her second season with the company, and struck us as especially talented. It’s been fun getting to know her. The Firebird is a big, difficult part, and not usually (maybe never) danced by such a junior member of the company. I went over to see her first performance of the role at yesterday’s Saturday matinee, and felt a few butterflies, like an anxious parent.
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Fortunately, she was fabulous! I’ve seen Weiss’s ballet to the great Stravinsky score at least twice before, and always enjoyed the solos for the magical sparkling red bird. The creature flits, darts and dashes, with sudden quickness and sudden stillness. Alyssa’s creation was a firebird of elegant exoticism and power. Out at the end of her long arms, her hands seemed almost like individual creatures, sending their own strange messages. With some of the extreme stretches and twists, it was easy to believe she was part bird. I found her performance completely transporting. It gave me goosebumps.
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I also really enjoyed Zalman Raffael’s new ballet, Brahms’ Violin Sonata No 3. I’m a Brahms man from way back, and know this great piece very well, but it never occurred to me that it could be a ballet. If it had occurred to me, I wouldn’t have guessed that a young choreographer would grasp and know what to do with its complex romantic pleasures. Indeed, I don’t know many people who care much for this music, which sometimes makes me wistful.
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Raffael, however, left no doubt of his grasp of Brahms. I found the ballet faithful to the spirit of the music, while managing to push against it and find new aspects. Jan Burkhard’s pas de deux with Yevgeny Shlapko showed tremendous emotional range. She was lovely and languid in the slow movement, as well as fiery in the finale. Jan has always had a lot of vivacious charm, but she seems to have extended her range into the darker modes in recent seasons. Yevgeny also looked great (he must have spent some time in the gym this summer).
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The other piece on the program was a new ballet by Robert Weiss called Les Saltimbanques. The music, Stravinsky’s Symphony in C, was Weiss’s primary inspiration. The piece, which I was not familiar with, is not as tuneful and romantic as The Firebird, but instead is more polytonal with irregular accents. Here too, I thought the choreography was faithful to and illuminating of the music. The organizing idea of the ballet is street performers (acrobats, clowns, and the like) filtered through a Picasso-esque vision. I found it bright and involving, and look forward to seeing it again next week.

These pictures were taken this morning (September 14, 2014) at Yates Mill Pond in Raleigh. The great egret is a bird we don’t see every day around here. I watched this one hunting for a half hour or so, and was enraptured.
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