Eagles, gums, eyes, and the music of Robert Schumann and Leah Crocetto
by Rob Tiller
After another mostly raw and rainy week, it warmed up and cleared up for a bit on Saturday. I went up to Shelley Lake to try out my big new Sigma lens (150-600mm) and to check on the nesting eagles and other creatures. Right after I got there, one eagle flew to the nest, and the other flew out. I stayed for another couple of hours, but saw only tail feathers — no more flying. It was not lonely, though. There were several other photographers staking out the nest, and many hikers, joggers, and dog walkers who stopped for a bit to get the latest eagle news. Apparently there are eggs in the nest, and eaglets are expected at the end of March. It was a friendly, cheerful scene. As I was leaving, I saw some other birds, and this deer with Canada geese.
Last week, I had some health maintenance work done, including my regular (every six months) dental check up and cleaning. As most people know, good teeth are a critical tool for eating and smiling, and we need to take good care of them. And so I’ve long been reasonably diligent about brushing and flossing. Even so, I’ve come in for some criticism by my dental hygienists. Six months back, Debbie, the new hygienist, gave me a “needs improvement” grade, and heavily promoted my getting a water pick . The machines shoot a concentrated stream of water at the gums, which I always assumed was redundant with flossing and probably a waste of time and money. But Debbie was extremely passionate and knowledgeable about teeth and gums, and I figured I’d better do what she said. I bought a cheap water pick and used it once a day, after the morning flossing.
It worked! At my appointment this week, Debbie gave me an A+, declaring that my gums looked fantastic. She also acknowledged that it took sustained daily effort to get such a result. I was very proud!
I also had my annual eye exam with my optometrist, Dr. Cloninger. The good news was, my right (good) eye was fine, and in fact slightly less near-sighted than last visit, as sometimes happens with age. Dr. C didn’t think I needed new glasses. But he mentioned some research regarding the harmful effects of blue light from computer screens, including macular degeneration. This was disturbing, since I really need to take care of my remaining vision. That very day I activated the blue light protection mode on my computers. (For Apple devices, that’s Night Shift mode.)
As usual, I’ve been giving myself regular music therapy — practicing the piano, including a fair bit of sight reading, and listening to some music that’s new to me. I also started the new biography of Robert Schumann by Judith Chernaik. It’s a pleasure to read, and it inspired me to listen to more Schumann via Spotify.
At some point when I was a serious music student, someone I trusted made a negative, dismissive remark about Schumann’s style, which was enough to steer me away from it. That was unfortunate! He was bold and original, with emotional depth and insight. I’ve been listening to his piano works, chamber music, and songs, and finding a lot of beauty. Just one example: Dichterliebe, a song cycle of 1840, is so beautiful it hurts. With the internet, this wonderful music is at our fingertips, almost free and easy to find. But as noted, in a world full of attractions and distractions, it’s also easy to miss.
On Sunday afternoon we went to a recital of soprano Leah Crocetto with pianist Mark Markham. Crocetto sang the title role in Norma with the N.C. Opera a few months ago, and I was overwhelmed by her enormous talent. But I was unfamiliar with most of the music she programmed for the recital — sets of songs by Respighi, Poulenc, Rachmaninoff, and Gregory Peebles (b. 1977) — and wasn’t really expecting to love the show.
But it was wonderful! Crocetto, it turns out, is not just a great voice. There’s also an extraordinary intelligence in her musicianship at every level, from the programming to the subtlest nuance of expression. For all that, it didn’t feel over-engineered. She seemed to inhabit the songs, rather than just singing them. She gave them, and us, everything — total emotional commitment. It was powerful.
The last part of the program was a selection of songs from the great American songbook — that is, show tunes by Gershwin, Arlen, Rodgers, and Fain. When I saw them on the program, my expectations were low; I figured these songs were pretty well mined out by Frank Sinatra, Ella Fitzgerald, Sarah Vaughan and countless others in the mid-twentieth century. How wrong I was! Crocetto brought the songs to life, and made each one a dramatic story. Unlike with some great singers, her performance was not at all about her, but rather about the song. She was generous and unselfish.
The same was true of Markham on the piano. He was an excellent musician and a superb accompanist. If I was a singer, I’d love to have him as a partner.