My fabulous teachers (fitness, yoga, and music) and seeing Dallas Buyers’ Club
by Rob Tiller
Our geranium on the balcony is a true survivor! Here we are in mid-December, after several nights sub-freezing nights, and it still looks perky. Sally asked me to take a picture of this marvelous plant, and so I did — several in fact, but these are the best.
Getting out of a rut and trying new things takes some energy and effort. It also really helps to have a good teacher. As I came into the home stretch of this week, it struck me that I’m fortunate to have found several such teachers, who’ve been helping me with fitness, yoga, and music.
First, there’s Larisa Lotz, who is my regular personal trainer each Thursday at 5:30 a.m. at Studio Revolution. I always look forward to it, because there’s an element of play and fun, but I also always find I’m barely able to make it through. This is not by accident, of course. Larisa has got my number, and knows about where my limits and weak points are. And she works on those weak points – which get stronger.
This week, as usual, she had some new activities and combinations. For core work, I had a side plank with the top leg pulling in and kicking out to the side, and a TRX suspended push up from the ground followed by drawing the legs in. She had me throwing a soft heavy medicine ball as high as possible, to work on “explosive energy,” which she said was a gap in most people’s fitness regimen.
We did some agility drills with quick stepping in various patterns through a rope ladder. We also did some sandbag work, including a fast intense series with dead lifts, cleans, squats, presses, and rows. And several other things. I took home several ideas for new things to work on.
On Friday morning I got to O2 Fitness at 5:35, and did some of Larisa’s hip and leg exercises and some more traditional upper body work – chin ups, dips, push ups, rows, and presses. Then I took my weekly RPM spinning class with Christy. This class involves dance club music of the throbbing, driving sort, which is not my favorite music, but it makes the hard biking in place in a dark room relatively fun. Our class on Friday involved more sprints than usual. I kept an eye on my heart rate monitor so as not to redline for too long. I topped out at 162 – high, but with all that effort, I was surprised it wasn’t a little higher.
Later that day, at lunchtime, I shot over to Massage Wallah for some therepeutic massage work with Emily Alexander. My neck and shoulders were in need of special attention, so that’s what she worked on. This was my second session with Emily, and it was fairly intense, but good. Emily is not overly chatty, which I appreciate – it’s good to concentrate on the sensation. But I asked her about her story, and learned that she, like me, went to high school at the N.C. School of the Arts, and went on to film school at NYU and movie and TV work in Hollywood. We compared notes on digital cameras. My neck was much better afterwards, and I thought my shoulder was improved.
On Saturday morning I went to Yvonne Cropp‘s Juicy Flow yoga class at Blue Lotus. This is an hour-and-a-half class that combines traditional vinyasa work with kriya practice, which as presented by Yvonne involves three minute or so segments set to dance music with rhythmic movements working different muscle groups. It definitely gets the heart going. I ordinarily can figure out the exercise, but there is one I can’t: rolling backward, then forward and standing up without using the hands. Most of my fellow yogis were doing it, so it’s definitely possible. Another challenge for the future.
It was rainy on Saturday afternoon, which was good weather for a piano lesson with Olga Kleiankina. I played Debussy’s second Arabesque and the first movement of Bach’s Italian Concerto. As usual, Olga made me aware of some new dimensions of sound. We spent a long time working on the silences around the staccato notes in the Debussy. Along with a number of such tiny details, we worked on rhythm in connection with the larger structures.
For the Bach, she pointed out that one could never mistake Bach for Mozart, because Bach made much more use of interior parts of the measure for beginning and ending phrases – sort of like syncopation. She showed me how certain accents and timing tricks would bring the piece to life. Of course, knowing about it is one thing, and doing is another. It will take practice.
That evening Sally and I went out to Cary for dinner and a movie. When we go to the Regal at Crossroads, we like to eat at Tom Yum Thai, where the food is delicious and the service warm and friendly. They will take you at your word if you require things very spicy, and for me medium spicy is about right.
During dinner we talked about Dasani, the eleven-year-old homeless girl featured in a series of five articles in the Times this week. She’s a plucky, smart, athletic kid who faces very long odds at the bottom of the economic food chain. We got to know her large family, her teachers, and her homeless shelter in Brooklyn, where the conditions were dire. The series, by Andrea Elliott, is an extraordinary window into the world of poverty – well worth reading.
We saw Dallas Buyers Club, which concerns a macho Texas rodeo-type guy who gets AIDs in the 1980s and starts a business supplying unapproved AIDs drugs to the gay etc. demimonde. There are some colorful and funny characters, and a tour de force performance by Matthew McConaughey. He is almost unrecognizable, very gaunt, with a ton of grit and attitude. Of course, the subject is tragic. It reminded me of the first wave of the AIDs epidemic, and some of my own precious friends hid in death’s dateless night.