The Casual Blog

Tag: Sokvannara Sar

Buds, laughs, and cries, including Romeo and Juliet (the ballet)

14 03 22_7848
Sally’s taking a flower arranging class at Wake Tech, and here is her latest project, which I really liked. With spring officially here, I’m very much ready for the big blossoming , and took a Saturday morning walk through Fletcher Park and Raulston Arboretum to see what was up. They’re not here in numbers just yet. But it was fun to take a close look at some things on the point of bursting out.
14 03 22_7831
Is there anything more boring than people bragging about their marvelous kids? Perhaps hearing people complain about their aches and pains. But other people’s impressive kids are still a serious problem, conversation-wise. Why is it, then, that stories about my own kids are so interesting?

So, sorry, but here goes a proud papa: Jocelyn, having conquered the book publishing business in Manhattan (i.e. getting an entry-level job in ebooks at Macmillan), has now published her first professional writing. It’s a humorous essay about getting the fun of a good cry, which you may read at Quarterlette, a site for twenty-something women. The pay was not good (zero), but she was very excited to be a beginning author. Who knows what comes next? She’s got a piece on online dating in the works, and we kicked around ideas for a funny piece about the annoyances of Facebook.
14 03 22_7829

At an opposite extreme, there’s a piece in last week’s New Yorker by Andrew Solomon about Peter Lanza, the father of Adam Lanza. Remember Adam, the Sandy Hook killer, who took the life of 26 little kids, his mom, and himself? This is worse than a parent’s worst nightmare. I hadn’t known that he was a high functioning autistic kid who may also have been psychotic. We want to know why he did what he did or what might have made things unfold differently, but there are no full, satisfying answers. Nobody saw Adam’s potential for horrific violence, including the mental health professionals who examined him or his parents. I was moved by Peter Lanza’s struggle with both the pain of loss and profound guilt.
14 03 22_7816

There’s another good story about death and love called Romeo and Juliet, which the Carolina Ballet performed on Saturday night. We’ve seen Robert Weiss’s choreographed version several times over the past 15 years, and it’s one of my favorites. Shakespeare’s story, it turns out, works quite well without words. The language of ballet is fully sufficient to convey the richness of the trembling, tingling ecstasy of first love, and the explosive violence of feuding clans.

In this production, Margaret Severin-Hansen played Juliet with sweet innocence, and her Romeo, Sokvannara Sar, was strong and sensitive. Their balcony scene was complete, unmitigated, overwhelming love — love that obliterates everything else. Eugene Barnes was a smoldering, intimidating Tybalt. I thought the group sword fights could have used a bit more edge and brio, though I hesitate to say so – I wouldn’t want any dancers to actually get hurt.

Lindsay Turkel was radiant in the trio of gypsy street dancers. We were also happy to see Alyssa Pilger, a corps member and our pointe shoe sponsoree, get a high-profile solo as the Mandolin Girl. She rocked! I’d previously been struck by her beautiful technique, but last night she danced with amazing power, impassioned and electrifying.

An eye exam, a veggie burger, and a new ballet

It was a busy week at work, with many new issues popping up as I tried to address the existing backlog. I also made a visit to the Duke Eye Center for an exam in preparation for my eye surgery next week. My ophthalmologist, Dr. Prithvi Mruthyunjaya, seems both brilliant and humane, but his patients have to spend an awfully long time in the waiting room. This was also true of Drs. Denny and Casey. Is this a retinological tradition? Are damaged retina patients more-than-usually patient? Dr. M. described my prognosis as “guarded.” At a number of levels, I felt not so great.

On Friday Sally and I did dinner and a ballet. For dinner, we made our first visit to Chuck’s, a new place on Wilmington Street that features in gourmet hamburgers. We quit eating cows many years ago, and so initially assumed Chuck’s was not for us, but then were told on good authority that they made the best veggie burger in town. It was, in fact, really good. It had flavor and pleasing, chewy consistency. And it didn’t fall to pieces.

The Carolina Ballet led off with a new work called A Street Symphony by Zalman Raffael. It was set to hip hop music, which, as almost everyone knows, is music emphasizing pulsing polyrhythms and rhyming gritty lyrics, and deemphasizing melody and harmony. I developed a taste for hip hop a few years back, when I found the Sirius radio hip hop channels, and found it to be good music for driving a sports car. I liked the raw immediacy and experimental transgressiveness. It is also, of course, good dancing music, but hip hop dancing seems worlds away from the ballet tradition.

Combining radically different movement vocabularies could be a banal experiment or a disaster, but Raffael succeeded brilliantly. His work Rhapsody in Blue, presented earlier this season, was soundly designed and had some marvelous flashes, but seemed more the work of a skilled apprentice than a master. With A Street Symphony, he has arrived, with a strong sense of architecture and humor.

The work is made up of seven songs, with the dancers arrayed in solos, couples, and ensembles. The set and costumes are minimalist, with the women wearing gauzy tutus of various colors pulled above their tights. In the beginning, the pounding rhythm is unsettling, and the first piece, Clockwork, uses a robotics theme that is fairly familiar. But Alicia Fabry’s replicant is both energized and vulnerable, with limbs shooting about at amazing speeds and a startled doe-eyed gaze.

I also really liked Jan Burkhard and Yevgeny Shlapko in Best of Me. Jan is a dancer with an sensual quality, and here she was fearless. Classical dance walks a fine line with respect to sex: it candidly reveals dancers’ bodies and deals with intimate subject matter, but almost never references the act itself, and is careful not to push the red button. But hip hop is sexy, and Jan embraced it. So did Eugene, who had a rangey freedom that recalled the hood.

Lindsay Purrington was really touching and beautiful in Cry Me a River. She did various transformations, including a streetwise tough and a Swan Lake swan. At one point her tutu started to fall to pieces, which added an unplanned degree of tension to the performance, but she dealt with the issue with grace, eventually ditching the thing stage right, and strutting boldly forward. Adam Crawford Chavis lifted her magnificently overhead.

This was unquestionably ballet, with pointe shoes and the traditional vocabulary, but augmented with exciting movements from urban street culture. The most successful dancers seemed to personalize their roles, though some stuck close to the familiar classical lines. For one, Margaret Severin-Hansen, who is a fantastic classical technician, was sharp and intriguing, but seemed to me to hold back a bit from the street. On the other hand, I thought Sokvannara Sar, Nikolai Smirnov, and Cecilia Ilieusiu all found interesting individual ways of combining the upmarket and downmarket.

Anyhow, I really liked A Street Symphony, and also Robert Weiss’s new work Idyll, set to Richard Wagner’s lovely Siegfried Idyll. It featured three couples and flowing lines. I was looking forward to The Rite of Spring, but it came after the second intermission, and I was just too tired to take it all in. Sally thought it too was wonderful.

It’s time to subscribe to next year’s ballet season. We’ve been going on Friday nights for fourteen years and have excellent front-center orchestra seats, but I think we’ll switch to Saturdays. On Fridays I often find myself tired after a busy week that includes 5:30 a.m. workouts, and not always able to hang in there intently for a full evening of beautiful performances. Our NC Symphony subscription has been on Saturdays, and so we’ll have to manage some conflicts, but it seems worth it.