I didn’t have any luck finding dragonflies this weekend. I tried Lake Benson, Lake Wheeler, and Yates Mill Pond, but it looks like we’ve about come to the end of another dragonfly season. I did see some butterflies and wildflowers, though, and enjoyed walking beside the calm and calming lakes. It was quiet, except for periodic thunderous roars from passing motorcycle groups.
It was the 12th annual Capital City Bikefest in Raleigh this weekend, and on Saturday evening we walked downtown to have a look at the hundreds of bikes parked on Fayetteville Street. The bikes were mostly enormous Harleys, but with endless gleaming customizations, objects of pride and passion. Lacking tattoos and denim, we may have stood out a bit, but we didn’t notice any negative energy directed our way.
We ate at Living Kitchen, the new vegan restaurant, where the clientele did not include any obvious biker types. I had the lunasagna, which was cool and tangy, and Sally enjoyed the living burrito, a collard green wrap. Our server, Rebecca, was friendly and efficient.
Afterwards, we strolled over to Fletcher Hall for the first Carolina Ballet program of the season. Zalman Raffael’s new work, La Mer was a “non-linear” story ballet involving family dynamics and natural forces. We liked it a lot. I was particularly taken with Amanda Babayan’s character, the daughter with the troubles of adolescence.
Robert Weiss’s first new piece was titled Stravinsky Pas de Deux, with highly dissonant music and angular gestures, danced with wonderful electricity by newcomers Lily Wills and Miles Sollars-White. Weiss’s The Double featured Alicia Fabry and Lindsay Purrington in startlingly close, tense unison. The final work was Weiss’s new Beethoven Piano Concerto # 5, which was very joyous and musical, with great leaps, spins, and lifts. I especially enjoyed Ashley Hathaway’s graceful solo in the second movement, and Alyssa Pilger imperial command in the finale.
Finally, I need to give a shout out to the N.C. Opera for its outstanding production last weekend of Wagner’s Das Rheingold. This little company somehow assembled a cast of world-class Wagnerians for two performances of this complex and thrilling work. Conductor Timothy Myers was masterful, and the singing was superb. Todd Thomas as Alberich managed to touch some unsettling psychological depths as he drove to his famous curse. I got goose bumps.