The Casual Blog

Money, and the ballet

There’s a tension between art and money.  Money is instrumental, a means to an end.  It’s associated with commerce and a variety of  tawdry of human attitudes and behaviors. Randy Newman’s song, It’s Money that I Love, is deliciously ironic, since it’s simply pathetic to love money.  Art is different.  It’s nourishing.  It opens doors.  It expresses our best, and makes us better.  Art feels ambivalent about money, but somehow they need to get along.

Last week I found myself reflecting on art and money after Ginny Hall invited Sally and me to take a tour of the studios and offices of the Carolina Ballet with Ricky Weiss, the company’s artistic director.   We’ve had season tickets for the last decade, starting shortly after the beginning of the company, and have seen all or almost all of Weiss’s ballets, some of them multiple times.  He’s a great choreographer in Balanchine tradition.  He has achieved something truly incredible in building a very strong company in our own Raleigh, North Carolina, and we’re so grateful.

As a longtime fan, I looked forward to talking with Weiss, but felt some anxiety about the money issue. I was well aware that the company needed it to survive.  Sally and I had discussed a possible contribution several times and agreed that we’d feel good about making a meaningful gift.  But it was not something I looked forward to discussing.  Where I’m from, we didn’t like to talk openly about money.  I’m not clear on the reasons, but we didn’t talk about things like salaries and prices for big ticket items.  It was taboo.

In the end, though, our meeting was surprisingly fun.  Weiss and Hall walked us through the studios and work spaces, which were not especially beautiful, but that was part of the point.  He made clear that he’s very conscious of managing money carefully, not spending it on things that don’t matter, and spending as much as he can afford on what counts.  He talked in detail of the cost of point shoes, costumes, and sets, of paying the dancers and staff, and of expenses such as disability insurance.  He compared his productions to those in New York, and admitted his sets were less elaborate, but he took pride that his productions cost a fraction of those.  As a person interested in the backstage, I found all this really interesting.

Weiss told us about falling in love with the ballet as a kid, dancing for Balanchine for 19 years at the City Ballet, leaving to become artistic director for the Pennsylvania Ballet, and leaving there under difficult circumstances.  He also described a six-year period of free lancing and searching without success for  the right position.  He said that during this time he considered leaving the field.  (This would have been a tragedy.)  He talked about the Ward Purrington’s long effort to bring professional ballet to Raleigh with no idea of the long odds against success.

I’d wondered whether Weiss, with his enormous and continual creativity, would find it interesting or helpful to have a philosophy of art and dance.  He did.  He seems to view ballet as not simply expressive, but also magical, transcendental, and yet at the same time basic to human existence, like food.  I was surprised, then, that he had no real trouble with the idea that some people don’t especially enjoy ballet, or even actively dislike it.  He didn’t feel compelled to win over everyone.  He noted lightly that someone once took him to a hockey game, and he didn’t particularly like it.

It turned out that Weiss had an unexpected gift for asking for money.  Without any hints from us, he at last said he’d like us to consider giving the exact amount that we’d already decided we wanted to give.  It was uncanny.  I felt happy and excited.  It’s wonderful that we can help with something that has brought us so much joy.

Our anniversary

Sally and I celebrated our anniversary on Saturday, the same day of the week as our marriage in New York 28 years ago.  We had quickly agreed last week that we needed to mark the occasion with a special meal, and gave consideration to several fine area restaurants.  We settled on Piedmont in Durham, a place we’d been meaning to try for a while.

As usual, we did not do anniversary presents.  Sally is fundamentally unacquisitive — not deeply interested in expensive jewelry, clothes, or other consumables —  and so holidays at which presents are integral, such as Christmas and birthdays, are challenging for me.  She likes books and practical things.  For her birthday last week, she wanted a special type of binoculars strap, which I found, and I also got her a hardcover called The Ballet Companion.  Plus flowers, a card, and cupcakes.  She seemed happy.  For the anniversary, she got me a sweet card, and I, after a difficult search, found her a humorous card that at least wasn’t dumb or tasteless.

Piedmont is on Foster Street near the Armory, where we used to do swing dancing, in a block of short commercial buildings.  The decor is post-modern Euro bistro, evocative of a lot of things, some warm, some cool.  The menu is interesting —  modern Italian, with locally grown organic ingredients.  It is vegetarian friendly, which I define as having more than one plant-based entrée.  I had zucchini mint soup, which was lovely, with just a hint of mint, and ricotta ravioli with olives and tomatoes, which was acceptable.  Service was the one disappointment — too slow.  For dessert, we split a rich chocolate torte with chili ice cream and chocolate sauce.  The chili idea created a certain risk, and it was rich and rewarding.

We talked about food, music, dance, science, and travel.  We’re thinking of another scuba trip to the Caribbean and considering the Bahamas, but the horrendous ongoing Gulf Coast oil disaster, with vast quantities of oil moving into the Gulf Stream, is an issue.  We continued our discussion of making a larger donation to the Carolina Ballet, which we love.  As I was reminded recently in reading Dee Brown’s book about the settlement of the American West, the performing arts spread and survived because of patrons, not because of ticket sales.  We started our married life with no assets other than cheap furniture and clothes to wear, and the experience was formative.  I never imagined when we married that one day we’d be giving thought to the right way to handle charitable giving.  We’re very lucky.

This morning the Times had an interesting take on the breakup of Al and Tipper Gore after 40 years of marriage.  http://tiny.cc/lve8n  We were sad to hear of their split, and of course, curious about the cause.  And as Tara Parker-Pope notes in the Times, there’s just no way to know the root cause.  But it’s a reminder that marriages change, and they require nourishing.  Apparently couples who do new and different things together are happier.  Certainly, it’s good to try new restaurants.

A beach trip, with a note on failure

For Memorial Day, we took Clara on her first road trip out to Jane and Keith’s beach place.  I enjoyed the drive.  We came over the bridge towards Nags Head just as the sun was setting.  The Outer Banks are not Monte Carlo.  It’s not about glamor.  But the area can induce serenity and happiness.  Traffic on the island moved slowly, and we sampled the local radio stations — a fundamentalist preacher, 80s rock, country, and my favorite, hip hop.  It was good at last to see Corolla again.

Keith is a grill chef extraordinaire, and for our benefit volunteered to go all vegetarian for the weekend.  Having recently mastered gluten-free cooking, he seemed to appreciate the challenge, like a high jumper who wants to go higher.  He made waffles with fruit and honey whip cream for breakfast.  Delicious!  A tomato cucumber soup with hot cheese pie for lunch.  Scrumptious!  Stuffed peppers and corn flan. Extraordinary!  He tried a rich chocolate torte, which he judged too dry and threw out.  The second effort was a great success.

We went to the beach in the afternoon,  Sally donned a wet suit and swam with my niece Kylie and nephew David.  I piloted a kite for a bit before it crashed, and I reread a bit of Endurance, by Alfred Lansing, the incredible story of Ernest Shackleton’s 1914 expedition to cross Antarctica, which was a failure in terms of its original mission, but a success in terms of its plan B — survival.  It’s nice to a frigid, desperate story and a sunny beach.

David, 10, is mad for lacrosse, and insisted while we were on the beach I learn something about it.  He let me use the shorter stick.  Under his intense coaching, I managed to make some catches and throws, and was pleased.  I also missed some catches and made some bad throws, which was less fun.  But I persisted for a while, even with little expectation of ever being any good, partly to humor David, and partly to continue road testing my theory of failure.

It’s this:  greater acceptance of failure increases the possibilities for happiness.  Part of the reason is that we learn from failure.  In any new endeavor, we start out incompetent, so we make mistakes, and if we persist we gradually work out how to make fewer mistakes.  Every significant accomplishment (apart from the occasional stroke of pure luck) is the result of many failures.

But there’s a broader reason for greater tolerance for failure.  Clearly, failure does not always lead to success.  Most of the things we could try will not turn out well, because no one can be good at everything. But if we decline to accept our own failure, we narrow our range of experience.  I might have missed lacrosse, or skiing, or Liszt.  If we give ourselves permission to fail, we can try new things, and be happier.

Clara, a car, goes to the track and does what she was born to do

My car, Clara, had her coming out event this week — a track day at Virginia International Raceway.  After several weeks together, I knew she had many virtues — beauty, sophistication, and awesome power.  Clara is the ultimate product of generations of  German engineering genius   a 2006 Porsche 911 S,in a particularly lovely color, lapis blue.  Is this just a car?   You could say so, and certainly, it serves as transportation.  But viewing her that way seems overly crude.  She’s a work of art.

But calling her art suggests stasis, and her nature is kinetic.  She was bred for speed and agility. She is a sports car.  It would be a waste to treat such a machine like any old car.  Thus I felt a certain responsibility, as her new owner, to get her to the track and let her do what she was born to do. I was happy to sign up for the PCA event at VIR, near Danville, Va.

VIR is a world -class road course.  3.2 miles, 180 feet of elevation change, curves of every description, surrounded by forest and countryside .  As a driver in the novice class, I was assigned an experienced teacher, Glenn Mead.  There were a few rules about such matters as passing and emergencies.  But no speed limit.

We did four half-hour all-out sessions.  Like all drivers, Glen and I wore helmets, and we communicated via a wireless system.  Soon Glenn found a few things he liked about my driving, and several that could stand improvement.  At each of the turns, he was looking for the perfect turn.  I hit a few, and he effusively praised these efforts.  Others were not so great, and he made sure I knew it.  The point of the perfect turn, I eventually realized, was to carry and keep as much speed as possible.  Glenn encouraged greater and greater speed.  It occurred to me that he was not only a good guy, but also a brave one.

After a few imperfect turns, I realized that there was an aspect of Clara that was frightening.  I could not sense the limits of her power, and could not tell where I would lose control.  At each turn, the margin of error was thin.  And I didn’t really yet know Clara’s characteristics of balance and handling.  At one point, Glenn reassured me.  “This car is a ballerina,” he said.  “She’ll do what you tell her to do.”

She was, and she did.  We had a few squeals and skids, but we worked on technique. It got better and better.  I got a big dose of adrenaline, and also the aesthetic pleasure of some beautifully shaped turns.  Clara did what she was born to do.

Daunting derivatives and Sleeping Beauty

Tuesday evening I boarded the flight from RDU to Dallas, and was confused at first as I looked in the coach section for my seat.   5E wasn’t there.  It slowly dawned on me that I had a first class ticket, either as a result of a computer glitch or some unexpectedly generous rewards system.  After I wedged my way forward through the human tide and found my seat,  I tried not to look too ecstatic.  Ah, such a comfy, roomy seat.  And so sweet to have a flight attendant who’s attentive, and little luxuries like warm peanuts and hot towels.  My neighbor was a precocious nine-year-old boy with a stuffed toy traveling to see his mom.  He’d flown this route many times.  He wanted to be an inventor when he grew up.

On the trip, I finished The Big Short by Michael Lewis.  I picked up the book on the strength of his earlier book, Liar’s Poker, and out of concern that I probably didn’t fully understand the drama in the U.S. and world economy in the last two years.  After reading the book, I’m quite sure I didn’t.  I now know a little more, but my larger takeaway is that part of the cause is that the mechanisms involved are so complex that they defy conscious human understanding or control.  I don’t think this is Lewis’s intended message.  He tries to create some heros and villains, or at least intelligent actors and dupes.  The intelligent actors had rational thoughts, and realized that subprime-mortgage-based derivative investments were much riskier than advertised.  He casts some blame on clueless regulators and unscrupulous investment bankers.

Lewis implicitly suggests the slightly cheering possibility that if people were more reasonable and diligent, they might set up regulatory and other systems to avoid financial catastrophe.  I found this encouraging message not very persuasive.  There were surely some monsters and frauds involved in the recent debacle, and plenty of examples of unsavory pure greed and indifference to human welfare.  But right now it looks to me like the big driver was the financial engineering of investment vehicles that were practically impossible to understand, even for professional investors and regulators, never mind individuals.  Creating them was far from unnatural.  In nature, technology, and other human  systems, greater and greater levels of complexity over time is generally the rule.  At some point, there’s simply too much for the human mind to deal with.  Our rational systems are overwhelmed, and our fallback emotional systems have no guideposts from experience.  Disaster is not necessarily inevitable, but we are less and less in control.  Yes, it’s scary.

But life, amazingly, goes on.  Sally and I went to the last program of the season for the Carolina Ballet last night, which was Robert Weiss’s version of Sleeping Beauty.  The music is by Tchaikovsky, and as Weiss explained at the beginning, the choreography comes in significant part directly from Marius Petipa’s nineteenth-century work.  For the most part, this was a very traditional, classical form of ballet.  I generally prefer the more abstract athleticism of Balanchine and his school (including Weiss) with modern dance inflections.  No matter.  Sleeping Beauty was wonderful.  Even the junior members of the corps de ballet showed considerable authority with classical technique, and the soloists were masters who communicate emotional depth within that framework.   Margaret Severin-Hansen as Aurora was etherial.  The costumes were also classically inspired (gowns and embroidered waistcoats and many tutus), and gorgeous.

We got a backstage tour courtesy of our friend Ginny at intermission.  It turned out, the action hadn’t really stopped.  On the stage behind the curtain, some of the dancers were practicing difficult passages or doing deep stretches.  It was disconcerting at first to shift from observer of a carefully planned spectacle to quasi-participant in the assembling of the spectacle, but fascinating.  We met Lilly Vigo, a great favorite of ours who was off for the night, and talked about her new baby, who was six months old that day.  We examined up close the intricate costumes and saw the swan boat and the huge dragon puppet in the wings.  A friend once told me that I was the kind of  person who likes to look behind curtains and see what’s really going on, and it’s true.  One of my fantasy careers is to be a stagehand.

After the show, we decided to have a drink at the Foundation, a tiny bar on Fayetteville Street that features a huge menu of American-made designer spirits.  The downstairs space was crowded, so we settled on stools at street level and did some people watching.  Two of our favorite soloists from the company, Lara O’Brien and Eugene Barnes, arrived shortly afterwards, and sat down next to us.  They seemed pleased that we were big fans, and we really enjoyed talking with them about favorite ballets, goings on in the company, and the travails of the professional dancer’s life.  This is the end of an arduous season for them, and both are looking forward to recovering from injuries over the summer.  We’re looking forward to seeing them again.

Soccer news — a non-fan’s notes

Last night Sally and I went out to see some professional soccer by our local team, the Raleigh Railhawks, who opposed the Tampa Bay Rowdies.  We had excellent seats (second row, midfield), and could see how young the players were, how skilled, and also how rough.

For me, the point was some refreshment after an intense work week.  In my days at the New Yorker, one of my friends who worked as a proofreader described going to the City Ballet after a hard day of catching tiny printing mistakes as a cool drink for the eyes.   My work also involves close focus on details and constant decision making.  I get that sort of release from ballet, and also from a close-up, live view of professional athletes.  Minor league baseball by our local Bulls and Mudcats usually has this refreshing effect, too.  TV sports doesn’t work the same for me.

Jocelyn was home from Colorado for a visit this week, and we all went out Thursday for some Thai food at Sawasdee.   When the conversation turned to sports, I asked Jocelyn what she thought was important about big time college sports, including those at her alma mater, NC State.  For her, sports and especially football were a fantastic part of the college experience.  She loved tailgating, loved the drama of a come-from-behind victory.  She enjoyed being part of moments when people united in support of a single cause.  And for her, the Wolfpack was definitely special.

I’ve never been a deeply committed fan of a sports team, so I thought this was both sweet and  interestingly strange.  For me, being a part of a sports crowd involves occasional moments of transcendence, so I know generally what Jocelyn meant.  But being in a crowd also usually involves stretches of wishing the people around me were better behaved.  I don’t get heckling, trying to distract players, or yelling when nothing particularly exciting is happening.   I always choose a team to pull for, but the choice seems basically arbitrary.  It’s hard for me to believe that one team is really more virtuous than another.

So, I was excited when the Railhawks scored the first goal, glad when the goalie made a diving save, and outraged when the referee missed a flagrant foul.  I was also annoyed at a young fellow who incessantly heckled the opposing coach.  I was anxious when the Rowdies tied it up late in the game, and disappointed when we lost, 2-1.  Then we went home, and I read for a while, and was moved by some poetry of  Wallace Stevens.

More fun at Red Hat, trying Mirage, yoga, and mindful driving

After the intensity of the trial in Texas and a great win, it was another intense week back at the Raleigh office of Red Hat, digging out of the pile of backlogged work and dealing with new emergencies.  Not for the first time, I felt on Friday as though I’d done a months’ worth of work in a week.  The range of activities was typical, but as always, varied — from solving specific IP problems to formulating strategy to addressing customers’ legal questions to being interviewed by reporters to writing and editing for opensource.com to drafting commercial agreements to dealing with management challenges — and along with these dozens there were literally dozens more still on the short term to-do list. I deal with one interesting issue after another, some of them important, all day every day.  I am never bored.  Is it stimulating?  Yes.  Exhilarating?  Yes.  Stressful?  Yes.

So as a matter of surviving and flourishing, on weekends I try to find some space to recharge and rebalance — some social time, some time alone, some time to care for the mind and body.  As to the social part, on Friday Sally and I went to Mirage, a  brand new club on the ground floor of our condo building which was having its pre-grand-opening.  It’s large (capacity 650) with a dance floor, large island bar on the ground floor, sushi bar in the back, second floor balcony space with another bar, and various side rooms.  The decor uses Egyptian motifs in a Vegas way, large video projections, a mirrored ball, and the waitresses in short gold-plated dresses.  The over all effect was glitzy but not gaudy.  We ran into Charles, who did a short speech as part of the dedication, and Ann and several people who live in the building.  We enjoyed talking to friends.  The sound engineering seemed good — very loud, but somehow tweaked so that it was still possible to talk.  Also, happily, the sound was not audible in our apartment.

I woke up early on Saturday and started to head over to Pullen Park to swim some laps, but then checked to see whether there was a  yoga class at Blue Lotus, which is next door.  There was:  Yvonne was scheduled for 8:00 to do an hour and a half open level class.  From past experience, I’d learned that open classes with Yvonne are fairly advanced classes, and for less advanced students, there’s no quarter given.   So it proved to be.  Yvonne likes to share inspirational words on such themes as oneness and truth, and she pushes the class past known limits of strength and flexibility.  After the first half hour, I wondered whether I could just hang on to the end.  I did, barely, soaked in sweat.  But I felt good the rest of the day.  I have no well-developed theory of why yoga helps over all well-being, but for me, it does.

I took my little German sports car out for a run in the afternoon.  Just east of Raleigh, Old Milbournie Road winds through farm fields and pastures, forests, lakes, and country stores.  It’s got some great curves and hills — an excellent road for just driving for fun.   When I got there, there was a caravan of minivans and pickup trucks led by someone proceeding 10 miles under the speed limit (45).  I had in mind the possibility of exceeding the speed limit (no worries — not too much), but this was clearly  not going to happen, so I tried to practice patience and enjoy the beautiful countryside.  Coming back, though, I had a stretch of the road to myself.  I felt the subtle weight shifts as the vehicle took the curves at speed, and the G forces as I accelerated out of them.  The sound of the exhaust note rising and falling as I shifted between third and fourth was like music.

After the trial, some great music

After a week in trial in Marshall, Texas, Red Hat and Novell won a jury verdict over a patent troll, and I headed home.  Trials are exhausting.  Exhilarating, too.  In our case, we had great lawyers from Gibson, Dunn & Crutcher, who worked incredibly hard.  I was proud of them, their staffs, our experts, and our witnesses, and proud to be a part of history:  the first jury trial against Red Hat, the first full case in the preferred district for patent trolls, and the first jury verdict for open source software.  I’m writing about it in my professional capacity at opensource.com.

I was still feeling the warm glow of victory last night when Sally and I headed out for dinner and a concert by the N.C. Symphony.  We ate at Gravy, an oddly named Italian restaurant on Wilmington Street, where I had eggplant with tons of cheese and tomato sauce, my  traditional Italian comfort food.  The concert was all opera excerpts, featuring baritone Stephen Powell and mezzo Phyllis Pancella.  The programming was an odd mix of music — Bizet, Saint-Saens, Delius, Sondheim, Mozart, Wagner, Strauss, Puccini, Rossini, and Verdi — but it worked.

Powell was superb — rich, resonant voice, great characterization, and a wonderful musician.  When he did the aria O du mein holder Abenstern from Tannhauser, I got both goosebumps and teary eyes.   Pancella had a a pleasing voice and big personality, and showed agility worthy of a true bel canto artist in her aria from Cenerentola.  The orchestra sounded particularly fine in the Don Giovanni overture, the prelude to act three of Lohengrin, and the Triumphal March from Aida.

We had drinks after at Buku with Paul and Jenny.  As principal trumpet, Paul knows the inner workings of the orchestra, and gives a great perspective on how the music gets made.  We got caught up on the hirings and departures of various musicians, and heard stories of the musician’s life, including many crossings of  North Carolina by bus.  Then we walked home.

About cross-dressing for entertainment

We’ve been on a documentary kick recently, and saw a good one from Netflicks on demand last week. Pageant is behind-the-scenes view of  the Miss Gay America pageant, a contest for female impersonators. We meet and follow the paths of five or so contenders for the throne.

At first blush, the subject matter sounded a bit off putting.  Why would a male want to dress as a female?  Of those who would, who would want to go as public as possible with it?  I’d never given much thought to the subject of cross-dressing, but vaguely thought of it as a somewhat bizarre subculture. Plainly, cross-dressing violates a fairly powerful taboo. Again, without thinking much about it, I’d considered it as a little sad.

Pageant made me think in a completely new way. The contestants vary considerably in their looks, smarts, and manners, but they’re all completely sane and highly sociable. They’re all nice. And they’re all incredibly gifted in a particular way: transforming their appearance from male to female. The transformations are truly uncanny. Watching the various stages – choosing clothes, practicing movements, applying makeup (lots!) — it’s impossible not to respect their craft. These are very creative people with great eyes and imaginations. Artists, in an unusual form.

The Miss Gay America pageant followed the traditional Miss America format, with separate contests for evening ware, judges’ questions, and talent (lip synching, dancing, ventriloquism, etc.). The top contenders were professional drag show entertainers, and they were very polished, elegant, and funny.

The more surprising thing was how passionate they were about their art. In the behind-the-scenes interviews, we learned that most had spent years working on their personas and acts.  Some had spent many thousands of dollars on their wardrobes, and it didn’t look like any of them were getting rich. One noted that cross dressing is not a good way to get a date with a gay guy, who generally prefer guys who look like guys. From what we could see, these people just love what they do. And, although the film made little of this, they plainly have a lot of courage. The mainstream society isn’t about to get comfortable with what they do. Some people are violently opposed.

In the end, I found the stories in Pageant inspiring.  It’s a good reminder that some people who are really unusual like being unusual.  There are a lot of different ideas of fun and of beauty.  It makes the world interesting.

Up in the air: Dallas travel routines and adventures

I’m wearing a groove in the stratosphere at 30,000 feet between Raleigh and Dallas.  As we near a federal trial on patent infringement in the Eastern District of Texas, I’m learning well the routines of our airlines and regulators.  My former resentment at being required at the security gate to remove my shoes and computers and be scanned and sometimes frisked has mostly been replaced with resignation (“let’s just get this done”).  The required speech by the flight attendants on seat belt, emergency oxygen, no smoking, and exit rows has become like the Mass, almost impossible to listen to and understand because it’s so familiar.

There are, of course, better and worse routines.  I achieved Priority One status with American a few months back, and it made me happier than I expected.  Before I got Priority Oneitized, I had not realized that the reason I was generally among the last to be called for seating and generally seated in the back of the plane was that others had higher status in one of its several flavors.   Thus, pre-Priority-Oneitization, I was always, with reason, worried about finding a spot in the overhead bin for my rollaboard case; on full planes the bins were always close to full.  Post PO, I get seated early, hoist my case and wedge it in to a convenient overhead spot without danger to nearby boarders, settle into my seat, and watch the later boarders struggle with the problem of crowded bin space.  Do I feel badly?  A little.  Not too much.

I’ve also learned to work around some of the little difficulties and indignities that have become routine parts of air travel.  I make it a little game to see if I can nourish myself with only relatively healthy, relatively tasty vegetarian food.  Yes, it’s very challenging in airports, where the main food groups are “fast” and “junk.”  But it’s not impossible.  I typically pause in Terminal Two in Raleigh at Camden Foods to buy a hummus wrap, grab some paper towels from the men’s room to use as napkins, and look forward to a relatively calm dinner once on board.

One of the joys of travel, though, is unpredictability.  Last week my temporary assistant booked my Dallas trip, and being new she did not know to use my frequent flyer number.  I was again one of the unwashed, in the boarding group “not yet,” in the seat “way back,” between two other passengers.  Surrounding me were people who seemed unused to flying.  It was unusually hot and unusually noisy.  I had an eight-inch thick stack of memos, reports, and articles to get through.

The woman to my right (by the window), seemed to be turned toward me when I sat down, and I thought at first she was saying something to me.  She didn’t respond to my greeting and seemed to be talking to empty space.  I then assumed she had a cellphone somewhere.  It turned out that she was speaking with a fellow in the row behind us, and she continued talking between her seat and mine in the space next to my right ear.  At first I thought she was wrapping up a conversation started prior to boarding, but this turned out to be wrong.  I then thought of offering to switch seats, but the fellow seemed to be also chatting with another fellow next to him, and I couldn’t figure out the relationships.  Eventually I deduced that my seat mate and her aft friend were co-workers headed to a conference who had discovered a mutual attraction.  There was not a lot of personal content, but the tones were highly animated.  Flirting, in short.  It flared up, settled down, flared again, and so on.  At the earliest permitted moment (after “the captain has turned off the fasten seatbealts sign”), I got my noise-cancelling headphones in place and tuned out as much of the chat as I could.

In due course I unwrapped by hummus wrap, trying not to spread hummus on the memo I was reading and marking up, trying to avoid getting food on my pants (there were no back up pants) or shirt, hoping I wouldn’t run out of paper towels (my napkins).  And hoping that the one remaining routine meaningful service of the flight attendants, the drink cart, would come quickly.  It is difficult to eat a hummus wrap without something to drink.  I just learned this fact on that flight.  The mouth gets very dry.

At just this point a passenger on the flight passed out.  People craned their necks trying to see what happened.  I couldn’t see anything, but my aisle-side seatmate briefed me.  An attendant made an announcement in a serious voice asking if there were a doctor on the plane.  There was.  The passenger soon revived, and the doctor gave his opinion that an emergency stop was not necessary.  I was glad that the passenger was apparently all right.  I was sorry, though, that the flight attendants determined they could not distribute any beverages.  They announced that this was due to the medical emergency.  Given that the patient seemed normal and a doctor was watching the situation, I wondered at this explanation.  My mouth got dryer.

An hour later, I smelled a strange smell, similar to rubbing alcohol, which at first I thought might have to do with the “medical emergency.”  Then I recognized it as nail polish.  Then I realized that my seat mate had paused in her conversation to do her nails.  In the confined space, the odor was powerful and made my eyes water.  I examined the distance between the bottle of red liquid, the edge of the seat tray, and my knee, and wondered how likely it was that a sudden bump could cause the bottle to turn and spill its contents onto my pants.  I tried to remember if I’d ever seen anyone do her nails on a plane before, and couldn’t remember a case.  I wondered if this was because it was illegal or just impolite.

I worried a little that I might be getting to be a grouchy curmudgeon.  She dried them with by waving, fingers spread, the traditional method.  Then I noticed they were beautiful.